Carl Ludwig Elias was the son of the distinguished art critic, Dr Julius Elias, who did much to promote a true understanding of French Impressionism in Germany. He was a lawyer in Berlin and emigrated to Norway when the Nazis came to power. He was…

Alternative title: The Granddaughter in the Wicker Chair Liebermann’s granddaughter was a much loved and frequent visitor to the artist’s lakeside villa. In this relaxed and unsentimental study, she is shown with her book leaning on a chair, while…

This is the earliest of Meidner’s apocalyptic landscapes, a series of paintings he produced in his Berlin studio during the summer of 1912. These paintings of burning cities and fleeing people, coming just before the outbreak of the First World War…

This painting, originally titled The Levelling, was originally thought to predate the First World War. However it was re-titled when two woodcuts and a drawing, all dated 1918 and all closely resembling the painting were discovered in the Ludwig von…

Painted in 1941 from drawings made in the garden of a house in Campden Hill, London. The additional images show a letter about this artwork from Mrs Charlotte Bloch, the wife of the artist. Mrs Bloch give context and interesting details about the…

Red Woman was one of Marc’s last paintings containing the human figure and reflects the humanistic idea of man’s interrelationship with nature. A ‘primitive’ woman, untouched by the corrupting influence of civilisation, is harmoniously absorbed into…

The square adjoining the City Church in Weimar is the subject of this picture. Feininger knew Weimar from pre-war visits but needed distance from location and in time for a vision to grow in his mind. His technique of the precise overlapping and…

Oil, 1839.

Münter met the Danish writer, Anna Roslund, shortly after her move to Copenhagen from Sweden in 1917. In Sweden she had renewed her interest in Matisse and abandoned her earlier Bavarian primitivism. Deep in thought, the stylish, pipe-smoking writer…

Oil, 1967.