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  • Circus Scene - Study for the title page Gastebuch for Alfred and Tekla Hess Circus Scene

    Front cover of the guest book of Alfred and Tekla Hess. All the artists who stayed with Alfred and Tekla Hess were encouraged to add a sketch or poem to the visitor’s books. Many did, and the originals are now in the Bauhaus-Archiv Museum, Berlin.…

  • Young Woman with High Hat Young Woman with High Hat

    Erich Heckel was a painter, printmaker and sculptor, well known for being one of the co-founders of the Expressionist group Die Brücke, along with Ernst Ludwig Kirchner and Karl Schmidt-Rottluff.  A keen and experimental printmaker as well as a…

  • Heads over Houses Heads Over Houses

    Segal’s vision of heads looking down on a village is intentionally rough-hewn, linking to the Brücke, yet perhaps connects more strongly to the approach of Der Blaue Reiter, the rising human forms becoming spiritually attuned to nature, their once…

  • Signs of the Times V Signs of the Times V

    Page from Der Bildermann 1, No. 6 (1916), verso Landschaft im Taunus by Ernst Ludwig Kirchner. Printed by Paul Cassirer.

  • Man on a Plain (self-portrait) Man on a Plain

    The taut, attenuated forms of this self-portrait and the pulsating lines coming from the sky reflect the oppressiveness and strain of the war years. The composition has been compared to Munch’s lithograph of The Scream of 1895 where the…

  • Patrick Legant Report 5 - Future development

    Points covered Assessment of particular strengths of the current Leicester German Expressionism collection. Comparative assessment with German Expressionist collections nationally. Assessment of the German Expressionist art market…

  • Jill Lloyd Report 2 - International significance of the collection

    Points covered An outline of key works and their particular significance within the narratives of German Expressionism. A list of public collections internationally that have closely related works. A list of private collections internationally that…

  • The Yellow Parasol The Yellow Parasol

    From about 1931 onwards, Laserstein began to adopt a looser, more fluid technique, her brushstrokes more impressionistic. This portrait of Laserstein’s close friend and favourite model Gertrud Rose (Traute Rose) is relaxed and informal. The image of…

  • Portrait of Carl Sternheim Portrait of Carl Sternheim

    Page from Der Bildermann 1, No. 9 (1916), recto is Die neue Gesellschaft Blatt 1 by Ottomer Starke. Printed by Paul Cassirer.

  • Landscape in the Taunus Landscape in the Taunus

    Page from Der Bildermann 1, No. 6 (1916), verso Symbole der Zeit V by Max Slevogt. Printed by Paul Cassirer.

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